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 Sumire Kyokan (すみれ 凶漢).

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Sumire

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Posts : 85
Mon : 10
Join date : 2013-08-07
Location : Napping under a tree.....distrub if you dare.

Character sheet
Surname Name: Sumire Kyokan
Courtesy Name: Sumi
Occupation/Rank: Ronin

PostSubject: Sumire Kyokan (すみれ 凶漢).   Wed Aug 07, 2013 2:00 am

Basics
Full Name: Sumire Kyokan (すみれ 凶漢).
Meaning of Name: Violet Assassin.
*Nickname: Sumi.
Sex: Male.
Occupation/Rank: Ronin.
Clan Affiliation: Kyokan.

Appearance
Age: 20.
Eye Color: Indigo.
Hair Color: Burgundy violet.
Type of Build/Body:Small slender and highly well built.
Height: 5'7".
Weight: 175 lbs.
Distinguishing Marks: Other then the fact he has radiant purple hair he has not tattoo's piercings anything marking his flesh.........he figures his hair makes him stand out enough why add more to it.

Traits
Skills: Champloo.........Sumire has mastered Karate, Jujutsu, Chinese Kenpo and Muay Thai, as well as Kenjustsu.
Champloo~ champloo means blend, and that is what he does blends together the various different forms of Martial arts he's mastered in order to create his own Champloo or fighting style unlike any other.......

Muay Thai~ 'Muai Thai', IPA: [mūɛj tʰāj]) is a combat sport from the muay martial arts of Thailand that uses stand-up striking along with various clinching techniques. This physical and mental discipline which includes combat on foot is known as "the art of eight limbs" because it is characterized by the combined use of fists, elbows, knees, shins and feet, being associated with a good physical preparation that makes a full-contact fight very efficient. Muay Thai became popular in the sixteenth century, but became widespread internationally only in the twentieth century, when practitioners defeated notable practitioners of other martial arts

Chinese Kenpo/Kung Fu~ "Kung-fu" as "a primarily unarmed Chinese martial art resembling karate.Wudang Martial Arts were created based on the Taoist ideology. Taoism holds that there are basic, everlasting and supernatural principles in the earth which are called “Tao” suggesting softness, quietness, emptiness, unification, fairness and harmony. All these can be presented according to Tai Chi, Yin and Yang, the Five Elements (water, gold, fire, wood and earth) and the Eight Diagrams tactics. Under the direction of these philosophical theories, this Kung Fu style gains good effects in the boxing and sword skills.

Wudang Boxing, a kind of Internal Boxing Art (Neijiaquan), observes the ideas in the Book of Changes and takes the changes of Yin and Yang as presuppositions. It is created to benefit health and fight against the enemy in associating movement and stillness as well as might and weakness. The Eight-Diagram Palm, also named Circuit Palm, presents the self-defence skills by the practice of moving in a circle. The learners cultivate the skills by circuit walking, which seems to move along the lines of the Eight Diagrams, an important Taoist characteristic. Sometimes, the walking trace looks like the inner or external profile of the Eight-Diagram tactics. This special skill takes advantages of the palm strength to give full play to the strength of the hand.Emei Martial Arts is characterized by the movement of hands or feet, especially the motions of feet changing constantly, quickly and forcefully. The changing styles take both offence and defence into consideration. The movements are usually stretched, steady and powerful, full of ups and downs.

Kenjustsu~Nitōjutsu~A distinguishing feature of many kenjutsu syllabi is the use of a paired katana or daitō and wakizashi or shōtō commonly referred to as nitōjutsu (二刀術 two sword methods?). Styles that teach it are called nitōryū (二刀流 two sword school?); contrast ittō-ryū (一刀流 one sword school?). Kenjutsu techniques can be compared to the strategies of warfare, while batto-jutsu or kendo can be compared to shooting range techniques. As in the Book of Five Rings, by Miyamoto Musashi, a kenjutsuist relies on the conditions of the ground, light source, as well as the opponents' capabilities, before implementing a practical attack. The attack is not set on any particular weapon or move to capitulate, nor is there a predisposed target or trajectory. Any exposed part of the opponents body is a possible target (as in Musashi's "Injuring the Corners").

To be effective, a kenjutsu strike/or counter-strike is a composition of several techniques: feigning, cutting, jabbing, thrusting, parrying or binding, footwork, choice of weapon, and even knowing the opponents weapon. It was mentioned that once Musashi realized the physics of the chain-and-sickle (kusarigama) he was then able to defeat it.

The feigning techniques are effective movements of the weapon, footwork, center of gravity, and even the use of kiai. Applied effectively, the opponent is set-back one move, while creating an opening elsewhere. The feigning technique should be angled to allow a quick direct shot from this position. Only sufficient practice will perfect these techniques and teaching to convey the training of proper reflexes. There is not much time to think during a skirmish or battle. A fluent continuation of techniques must be deployed to manage even multiple opponents. One second per opponent is too long. Managing an army should be treated the same way. A practical understanding of the body and weapon is necessary to be able to dispatch a strike or counter strike whether standing, walking, or rolling around the ground (or whether an army is attacking or retreating). There is no time-out or ready position. It might be a fight under minimum visibility or total darkness. When striking range is reached, reflexes dictate the outcome.

Cutting, jabbing, and thrusting techniques must be all preceded by a feint. The defender can easily parry a strong attack, due to the telegraphing momentum behind the attacker's weapon. Therefore, a strong cutting technique can easily receive a deadly cut across the sword hand or forearm. The feigning movement should complement both double-sword, two-handed sword, or any weapon.

There are some strikes that do not require a preceding subterfuge. These are referred to as "quick strikes". They are done with two hands on the sword or with a sword in each hand. One hand is at the base of the tsuka (to provide longer reach) and the other hand is at the ridge of the blade to provide the initial force to flick the sword as quick as an arrow to hit the target. This could be done with the double sword, with one sword providing the push for the dispatch. These postures are hidden and the ready positions are implemented while switching hands or while changing steps. These flicking strikes can be administered from any angle (top, sides or below).

When parrying, always try to direct the point of the sword to the target. This minimizes the step needed to be able to counter-attack. Thus the opponent is at an immediate disadvantage. Also, using the quick strike at the opponent's sword hand or forearm will immediately incapacitate his attack before having to parry it. A simple rule — to keep the point of the sword pointed to the opponent or at within the area of the gate, while attempting to parry in all angles — will provide a good foundation for appropriate counter-maneuver reflexes.

Musashi said that the footwork shall be adapted to terrain and purpose. The correct stride is to be applied to whatever leverage is needed to effectively wield the weapon at hand. The choice of weapon and knowing the opponents' weapons is essential for the choice of right technique and strategy. Knowing the center of gravity of a weapon can help the assessment of its maneuverability and speed, as much as its effects on leverage and kinetic forces.

The use of the double-sword (one in each hand) can provide the ultimate control of the gate. The "gate", as referred to by Miyamoto Musashi, is the opening between two fighters. All attacks must go through this gate to reach the target from any angle. To close or disrupt the gate at the right moment is necessary to deflect incoming attacks. The double swords' ability to alternate and complement their trajectories provides a strong continuous flowing barricade as well as trapping and striking repetitions. Timing is essential in the use of this technique, and Musashi advised that the double-sword technique should be learned early on.

In the later stages of kenjutsu, one can win without the use of a blade by merely understanding the physics of sword work. A kenjutsuist can resolve or win without having to fight (or without having to cut) — and gain followers instead. There is no individual or religion that started this. Any level-headed person would not want to maim or kill another human being. A kenjutsuist (a true swordsman) strives to attain well beyond cutting techniques: to serve his master or act on his own as a diplomat of fairness in the living hell.

Jujustsu~ s a Japanese martial art and a method of close combat for defeating an armed and armored opponent in which one uses no weapon or only a short weapon.[1][2] The word jujutsu is often spelled as jujitsu or ju-jitsu. It is also known as Japanese ju-jitsu.

"Jū" can be translated to mean "gentle, soft, supple, flexible, pliable, or yielding." "Jutsu" can be translated to mean "art" or "technique" and represents manipulating the opponent's force against himself rather than confronting it with one's own force.Jujutsu developed among the samurai of feudal Japan as a method for defeating an armed and armored opponent in which one uses no weapon, or only a short weapon. Because striking against an armored opponent proved ineffective, practitioners learned that the most efficient methods for neutralizing an enemy took the form of pins, joint locks, and throws. These techniques were developed around the principle of using an attacker's energy against him, rather than directly opposing it.
There are many variations of the art, which leads to a diversity of approaches. Jujutsu schools (ryū) may utilize all forms of grappling techniques to some degree (i.e. throwing, trapping, joint locks, holds, gouging, biting, disengagements, striking, and kicking). In addition to jujutsu, many schools teach the use of weapons.

Today, jujutsu is practiced in both traditional and modern sport forms. Derived sport forms include the Olympic sport and martial art of judo, which was developed by Kanō Jigorō in the late 19th century from several traditional styles of jujutsu, and Brazilian jiu-jitsu, which was in turn derived from earlier (pre–World War II) versions of Kodokan judo.

Karate~ is a martial art developed in the Ryukyu Islands in what is now Okinawa, Japan. It was developed partially from the indigenous martial arts of Ryukyu Islands (called te (手?, literally "hand"; tii in Okinawan) and from Chinese kenpo.[1][2] Karate is a striking art using punching, kicking, knee strikes, elbow strikes and open hand techniques such as knife-hands, spear-hands,and palm-heel strikes. In some styles, grappling, throws, joint locks, restraints, and vital point strikes are also taught.[3] A karate practitioner is called a karateka (空手家?).

Attitude/Personality: L.A.Z.Y is an understatement most of the time he can't be bothered to pull his two swords and fight, every ounce of his body is lethal compact condensed muscle having trained with an insane master. Often refered to as Baka by his master when he was still staying there he left to find his own path wandering ever since. He'll draw his sword.........but pity the fool who makes him get serious because once he does he's a killing machine.

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Background
History: Sumire is form a high class Edo family of noble Samurai he has many women back home who he is supposed to be choosing between to marry, schooled in various forms of fighting and sword play expected to and having accomplished mastering them..........it all boils down to an argument between himself and his father. Sumire could not be bothered to marry just yet or become a Shogun his father wanted it they fought and he left.

Casting off title of Noble to becoming a Ronin an wandering Samurai feeling he'll accomplish more once he's on the road..........small hiccup in his plans though finding that once free of his fathers tight rule he didn't have to do anything that is exactly what Sumire does now.......anything that includes being lazy and napping under trees if he so wants to. And much to his fathers horror if he knew Sumire can't be bothered to draw his swords unless something seriously pisses him off..........then look out cause he becomes a dangerous killing machine.........
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